By N. Y.) Metropolitan Museum of Art (New York
This quantity takes us on a travel of The Metropolitan Museum of Art's American Wing, which homes a suite of yankee work, ornamental arts, richly supplied interval rooms, and architectural screens. the great survey starts with colonial portraiture after which lines the emergence and improvement of a countrywide nice arts culture. There are masterpieces of portray, sculpture, and drawing in addition to beautiful examples of yankee furnishings, silver, glass, ceramics and textiles. Architectural displays contain the excellent marble facade of the department financial institution of the U.S. and the lounge of a Frank Lloyd Wright Prairie-style apartment.
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Extra info for A Walk Through the American Wing
In Friendship’s Garland, in which Arnold archly employed Europeans, especially Germans, to criticize British competitive individualism, he also (again archly) used America to represent the democratic spirit of the age, the Geist behind which Britain lagged. The Americans showed “a feeling for ideas, a vivacity and play of mind, which our middle class has not, and which comes to the Americans probably from their democratic life with its ardent hope, its forward stride, its gaze fixed on the future” (30).
Chapter 3 is on Decadent individuation, interiority, and the will. 72 Postcolonial studies have added tremendously to our understanding of psychology at the height of the empire also through analytics of Self and Other. Following these and then Daniel Pick and John R. Reed on will, I explore the problem of Decadent individuation through the complex and often contradictory concepts of the will, which was simultaneously a social (social will), physiological (the materiality of the will), and psychological concept and often the negation of “rational” choice.
If people, are philanthropists making themselves or others? The main case study considers the philanthropist, Romany Rye, and philologist Charles Godfrey Leland and the non-Christian and occult roots of Victorian philanthropy. Leland as a philologist whose dream of a common language inspired concrete service to the poor (narratology, art history); Leland as a romantic aesthete whose stereotypes participated in global extinction narratives (demography, history); Gypsies as romantic rovers (poetics); as complex identities and histories (ethnic studies); as victims of persecution (ethics, politics): the chapter draws together the various kinds of evidence to understand some hidden springs of Victorian philanthropy.
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