By Virginia Woolf
Una de las obras más autobiográficas de Virginia Woolf.
Al faro es una de las obras cumbre de los angeles literatura del siglo XX. Basada en l. a. propia infancia de l. a. autora, l. a. novela cuenta l. a. historia de los angeles familia Ramsay en los angeles isla escocesa de Skye en el período de entreguerras. El rumor del mar, l. a. presencia insomne del faro, l. a. guerra, los angeles muerte, el erotismo o el transcurso del tiempo se entreveran en los angeles larga conversación de l. a. novela formando un oleaje de símbolos, palabras e imágenes.
«Una de las inteligencias e imaginaciones más delicadas que ahora ensayan felices experimentos con l. a. novela inglesa.»
Jorge Luis Borges
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015 Cambridge Companions Online © Cambridge University Press, 2013 Sylvia Plath edited by Jo Gill Sam Shepard edited by Matthew C. Roudané Edgar Allan Poe edited by Kevin J. Hayes Spenser edited by Andrew Hadﬁeld Alexander Pope edited by Pat Rogers Laurence Sterne edited by Thomas Keymer Ezra Pound edited by Ira B. Nadel Wallace Stevens edited by John N. Serio Proust edited by Richard Bales Tom Stoppard edited by Katherine E. Kelly Pushkin edited by Andrew Kahn Harriet Beecher Stowe edited by Cindy Weinstein Philip Roth edited by Timothy Parrish August Strindberg edited by Michael Robinson Salman Rushdie edited by Abdulrazak Gurnah Jonathan Swift edited by Christopher Fox Shakespeare edited by Margareta de Grazia and Stanley Wells Henry David Thoreau edited by Joel Myerson Shakespearean Comedy edited by Alexander Leggatt Mark Twain edited by Forrest G.
SL, p. 438). Strindberg’s writing sometimes springs so far outside the bounds of what seems normal or acceptable or rational that a reader can be tempted to resort to the verdict of insanity. 55University on Sun Apr 07 14:45:05 WEST 2013. 001 Cambridge Companions Online © Cambridge University Press, 2013 The art and science of self-dramatization precludes the idea that their author was anything but fully in control of his texts and his thoughts. 7 A reader is well advised to think of Polonius’ line from Hamlet: ‘Though this be madness, yet there is method in’t’ (ii: ii).
It is a torn-out heart dangling there on its hook. (SV15, p. 165) A calf’s heart, a torn-out heart, a little book, thinly clad in calfskin; we make a leap and imagine the author’s heart, dangling on its hook. It would be difﬁcult to ﬁnd a more vivid, provocative and theatrical image for an exiled author’s exposure to the merciless gaze of the public. This poem forms the introduction to August Strindberg’s cycle of poems Sleepwalking Nights in Broad Daylight, a collection composed mostly while Strindberg resided in Paris in 1884.
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