By Robert Kent Sutton
Takes an incisive examine America's westward circulation, focusing on the unfold of serious Revival structure around the US with its cultivation in Oregon in the course of the 1850s. Sutton attracts from a wide selection of documentary and visible resources: diaries and early architectural development books to present fabric, cultural literature and a wealth of exceptional pictures.
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Publish 12 months notice: First released October fifteenth 1999 via Periplus versions (HK) ltd.
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Additional info for Americans interpret the Parthenon: the progression of Greek revival architecture from the East Coast to Oregon, 1800-1860
Soon, the Dismal Swamp Company, the James River Company, and the Upper Appomattox Navigation Company all requested his engineering expertise for their projects. 2). The basic form was derived from the Greek Ionic temple on the Ilyssus near Athens, but the low central dome, broad wall surfaces, arched windows, central skylit vaulted banking hall, and simple finishing treatment throughout were his own innovations - inspired by his grand tour of the antiquities. His bank established a precedent for later American Greek Revival efforts.
It seemed that each time I reached the point at which I could not continue, I encountered houses that were built in the 1850s, were constructed with California gold rush money, and were Greek Revival in style. Eventually I finished assembling the inventory and went on to other things; but I could not forget these houses. My curiosity about them became an obsession that led me to the present investigation. As this project took shape, I wanted to know why Oregonians chose houses in this particular style and how they acquired the tools, technology, and architectural references to build them.
Hamlin theorized that Greek Revival architecture was an expression of American genius and a reflection of national spirit. "Never before or since," he wrote, "has there been a period when the general level of excellence was so high in American architecture, when the ideal was so constant and its varying expressions so harmonious . . " 5 Hamlin downplayed European influences on the style, believing that the major components were created at home as evidence of democratic expression. Hamlin's work has withstood the test of time; it is still in print and widely circulated after nearly fifty years.
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